Cleaning
Up
(A
Modern Flood Story)
My wife
was up late watching the waters
rise against the
brick wall at the back
of our yard; the
rain brought the creek,
black and murky at midnight, sliding
up into our life
like a serpent – again.
Now she
sighs and skims another bucket
full off the
surface – it feels as though
this water, she says, will never
go away.
We have
bailed out this garage four times
in one year. She twists up the corners
of her lips as she
mouths the words
she doesn’t feel: at least it didn’t hit
the house; the
foundation is safe
this time; we will not
have to leave.
She
will fill the bucket, wade outside,
throw the water
into the receding creek
as many times as it
takes. We have
sacrificed more
than sweat: comfort, the first
floor, a pair of
pets. We have done nothing
to raise a just
God’s ire, did not question
the first flood,
the second, the third.
For His
Wife,
who may be the
things I am not
You may
be the voice at midnight
that slices the
darkness in half,
tears the sheet of
sweat away
from his skin as he
is clutched
by a nightmare.
You may
be the warm hand that slides
along his palm, the
grasp that stops
the tremble of his
fingers from breaking
another glass,
dropping a napkin,
unlighting a match.
You may
even be the softness
that coils against
him in bed,
against the hard
knot that means
goodness, that
means desire,
that means he
remembers you.
But you
cannot give him what I can:
words in verse,
love as a transitive
verb, unmodified by
conditions.
Love
Song for a Poet
for D
In the bar, you said
the thing I wanted to hear
but not admit to. I flushed,
felt a shift between us.
I didn’t understand you
were speaking in metaphors,
wrapping your words up
to conceal their meanings.
When you explained, the shift
became clear: I am the one
with the secrets.
I will say it now, aloud:
I want to be your muse,
know each stroke of your pen
is inking the paper with my skin.
I want to be the verbs crawling
from your mouth, the nouns
you grip in your fists.
But now, I read your poems
and I know: these are not
for me. The narrator is not you.
The subject is not us.
Memory:
Karen
Your
face flashes and blends,
just pieces tumbled
together
by a fat spinning
blade:
Here,
you are thin, tall,
purposeful. You stride.
You are
authority. The pink
coil at your elbow
dangles
a key – you own the
shifts,
the schedules. You wear this
all well.
Then –
laughter. Sun
glints on the
cat-eyed frames
of your
glasses. It is loose,
this moment, easy,
like your hair –
strands floating on
the rush
from the open
windows.
Next? Music. Bodies. The audible
push of breath from
lungs,
the slow hip-swing.
Your hands
are up, swimming
through air,
delicate fish.
Rhythm is in you,
around you.
Finally
dimness, the bar-dark
lighting you have
lived beneath.
Smoke
frames your face in soft
gray lines. You try to quench
a thirst you’ve had
for years.
You
call it love, say you can
own it, say it belongs to you.
But you
belong somewhere, too –
somewhere else.
It’s something
you haven’t found.